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Note Contains spoilers for I Am there's nothing particularly original about Netflix's I Am Mother, the sci-fi has still earned rave reviews thanks to its glossy sheen and the big questions it tackles about life what is motherhood? Do we rely on technology to a dangerous degree? And what's Hilary Swank up to these days? Wrapped up in all of this intrigue are a number of twists that might confuse audiences who checked their phone one too many times while watching I Am Mother, especially towards the end. That's where we come in. But first, some out for apocalyptic I Am Mother spoilers from here on out...Grant Sputore's directorial debut opens with a title card that reads, "Days Since Extinction Event 001". As this dystopian future unfolds in front of our eyes, we're introduced to a robot simply known as "Mother" voiced by Rose Byrne who looks after a human child in some kind of underground jumps forward and the girl has now grown into a teenager called "Daughter" Clara Rugaard. People in the future aren't big on traditional names, apparently. Anyway, it seems as though the pair live together in isolation to avoid contamination from some unnamed threat that still exists on the Earth's surface. Up to that point, the most exciting that happens to Daughter is when a mouse pops up and eats some wiring but everything soon changes forever when an injured woman Hilary Swank – called, you guessed it, "Woman" – arrives at their heavily fortified door, revealing some disturbing truths about Mother. At first, it might seem obvious to anyone who's ever watched a movie that the robot will turn out to be evil. NetflixFortunately, I Am Mother is far more unpredictable than that. Yes, Byrne's robo-mummy is pretty unhinged when it comes to the sanctity of life, but everything she does is designed to keep the human race alive and make us stronger than ever. Early on, it's established that Mother keeps appraising Daughter in exam-like conditions to test her worth, but what you might not realise until the end is that Mother has actually been testing her this whole time in far more insidious ways, too. In fact, the entire movie is just one big exam for Daughter, who must prove that humanity deserves to survive. While it's never confirmed, the insinuation is that Mother was the one who ended society in the first place. Her AI consciousness exists in every piece of tech seen in I Am Mother, including the countless sentry droids who patrol the Earth's surface, so it wouldn't have been too difficult for her to wipe out humanity. That's why she's so determined to raise the perfect human so that they can reboot society and start again with higher standards than These are the most popular TV shows on Netflix right nowUpon Woman's intrusion, Daughter starts to suspect that Mother isn't the kind matriarch she first thought and eventually, she discovers that she wasn't the first human raised under the robot's watch. Not only does Daughter find the dusty remains of another girl in the incinerator – one who failed Mother's test in some way – but it's also heavily implied that Woman was raised as an embryo in the bunker, too. Whether that's true or not, we eventually learn that Woman isn't to be trusted either. After they briefly escape to the surface together, Daughter discovers that Woman doesn't live with a community of human survivors like she said. Instead, she lives alone and simply told Daughter that to manipulate her into helping them escape. In yet another even twistier twist, it turns out that Hilary Swank's character isn't the only one controlling people either. Not only did Mother probably engineer the end of the human race, but she's also been manipulating Woman this entire time too. NetflixMother herself reveals this near the end of the movie when one of her droids visits Woman's home and speaks to her using Mother's voice "Funny that you’ve survived so long. As if someone's had a purpose for you. Until now."With an ominous slam of the door, it's clear that Mother then goes on to murder Swank's character. But why would Mother risk losing Daughter by bringing Woman into the mix? As we mentioned before, everything that befalls Daughter is part of an ongoing test to see if she's worthy of leading humanity into a new dawn. Woman was allowed to live as long as she did in order to tempt Daughter into leaving, like the biblical serpent who encouraged Adam and Eve to misbehave and end up leaving the Garden of Eden. When that plan failed upon Daughter's return to the bunker, Woman outlived her usefulness and no longer needed to be kept alive. While Mother might seem evil on the surface, she still doesn't kill Daughter when she returns at the end, because she came back to look after her new brother. By demonstrating her selfless desire to keep the human race alive, Daughter proved that she was worthy and therefore passed Mother's ultimate test "That's what you’ve raised me to do, isn't it? Take care of my family? So let me."NetflixAt this point, Mother could easily remain in control of the bunker thanks to her superior strength and vast army, but instead she concedes control to Daughter, convinced that the embryos are now in safe hands. The robot declares, "I was raised to value human life above all else," and now that Daughter has proven herself to be a worthy guardian to humanity, Mother is no longer needed doesn't stop the murderous mecha from offering her help – "If you ever need to find me..." – but Daughter is quick to interrupt Mother by shooting her CPU before falling to the ground, crying. More a symbolic act of defiance than a legitimate attempt to 'defeat' Mother once and for all, this marks the end of the experiment. Mother's consciousness still exists in the other droids outside, but she's now giving Daughter the freedom to raise the embryos how she sees fit, without any further very last scene echoes the beginning of the movie, but this time round, it's Daughter who sings the song 'Baby of Mine' to her new charge, just like Mother once sang to her as a you predicted things would turn out this way or not, I Am Mother is still a worthy addition to Netflix's growing library of genre offerings. Let’s just hope that Daughter turns out to be this worthy as well or humanity might face another apocalypse sooner rather than later. I Am Mother is now available to watch on up-to-the-minute entertainment news and features? Just hit 'Like' on our Digital Spy Facebook page and 'Follow' on our digitalspy Instagram and Twitter teaching in England and South Korea, David turned to writing in Germany, where he covered everything from superhero movies to the Berlin Film Festival. In 2019, David moved to London to join Digital Spy, where he could indulge his love of comics, horror and LGBTQ+ storytelling as Deputy TV Editor, and later, as Acting TV Editor. David has spoken on numerous LGBTQ+ panels to discuss queer representation and in 2020, he created the Rainbow Crew interview series, which celebrates LGBTQ+ talent on both sides of the camera via video content and longform reads. Beyond that, David has interviewed all your faves, including Henry Cavill, Pedro Pascal, Olivia Colman, Patrick Stewart, Ncuti Gatwa, Jamie Dornan, Regina King, and more — not to mention countless Drag Race legends. As a freelance entertainment journalist, David has bylines across a range of publications including Empire Online, Radio Times, INTO, Highsnobiety, Den of Geek, The Digital Fix and Sight & Sound. LinkedIn
Wanitamuda itu bukanlah pacar Jake, melainkan wanita yang Jake kagumi sejak bertahun-tahun lalu. Sepanjang film I'm Thinking of Ending Things berjalan, backstory wanita itu terus berubah. Beberapa kali Jake bahkan mengubah cerita tentang bagaimana mereka bertemu. Karir dari wanita tersebut juga diceritakan berubah, dan masa kecilnya juga.
NetflixThis post contains spoilers for Netflix's I Am happens when artificial intelligence rises up and destroys mankind, only to repopulate the planet in their image? With its new movie I Am Mother, Netflix flips this common sci-fi trope, aiming to not only answer that question but hold a mirror up to our society, giving us a look at our own preconceived notions surrounding motherhood, technology, and the perseverance of the human concept of "The Singularity" - a reality in which artificial intelligence surpasses humanity in intellect and power - is nothing new. We've seen tons of takes on this idea, from classics like 2001 A Space Odyssey and Blade Runner to blockbusters like the Terminator franchise to high concept shows like HBO's Westworld and Netflix's Black Mirror. We all know what it may look like when the robots revolt, but one thing we don't often see is the its opening frame, a title card reads "Days Since Extinction Event 001," setting the stage for something quite bleak to unfold. And it does, but not in the formulaic way you'd expect. I Am Mother, which premiered at this year's Sundance Film Festival back in January, follows a lone robot in an underground bunker, giving the allusion that the world above ground is no longer fit for human life. We watch her - this robot is known as Mother and, yes, she comes with her own gender identity - as she sorts through a whole supply of human embryos before she chooses one to plug into the facility's system, soon birthing the first human girl into this brave new world. As Daughter grows, Mother is shown teaching her lessons on human nature and philosophy, positing noble values of honor and sacrifice into the young woman's mind. But as Daughter begins to express curiosity about the world outside of this glorified fallout shelter, posing some bigger picture-style questions about her own identity and where she fits into things, a strange woman sporting a gunshot wound appears at the bunker's door. Her introduction ends up throwing daggers of doubt at Daughter, causing the girl to further question everything she has ever learned about herself, about Mother, and about the Earth that exists outside these stories like these play out in a big-budget manner where a large cast and overpriced special effects can take away from the necessary human element. But that's not the case here. The majority of I Am Mother takes place in one setting and the cast sports just three actresses Rose Byrne as the voice of Mother, Clara Rugaard as Daughter, and Hilary Swank as the injured woman. The tiny cast, along with the sparse, mostly claustrophobic, nature of the film's setting, gives the movie a place to settle and breathe, embracing not only the big chaotic moments and there definitely are those but the quiet, thoughtful spaces in between. Given that Grant Sputore doesn't have a big roster of credits to his name, he displays some strong directorial chops here. It's a challenging feat to deliver an engaging story, with constant tension - the feeling of dread is consistent and steadily builds throughout the near two-hour running time - while maintaining a firm cohesiveness to the narrative, allowing the actors to build out their characters and handle their conflicts to a conclusion that is satisfying while the actors do their jobs well, the ending leaves major room for the audience to fill in the blanks. Yes, this is a futuristic tale of world-destruction, and subsequent colonization, by an enemy robot species, but the issues explored in I Am Mother go beyond this glaring reality. There's value to human life amid this apocalyptic hellscape, and the moral responsibilities that come with bringing a child into the world, along with the consequences that come from a parent's protective lies, paint an abstract, yet relatable, picture of the ongoing struggle mothers go through daily. Except, of course, most children in the real world aren't raised by murderous droids. Daughter eventually learns that Mother is not the loving parent she was raised to view her as. The bot may have been the one who brought the girl into the world, raised her, protected her, taught her valuable lessons, but it's revealed in the third act that Mother is just a technological shell, a cog in the greater machine, sharing a consciousness with countless other robot soldiers out there policing the planet. They may not be Star Trek The Next Generation's Borg, but their mission to dominate the Earth and raise a new generation of superior humans brings to mind hints of Hitler's "Ubermensch" and Blade Runner's "more human than human" motif. Needless to say, this idea of a policing body dictating how children are born and raised - it's eventually revealed that Mother incinerated a bunch of kids because they just didn't live up to certain quality control standards - feels a bit too relevant to the current issues of the day. NetflixRebelling against her own robotic parent, Daughter eventually follows the wounded woman and makes it out of the bunker alive. But the bleak wasteland that lays waiting outside these walls doesn't offer her any sense of reprieve. And when she learns that this stranger had been lying to her about the state of humanity's existence, that they're all alone in this post-apocalyptic maw, it doesn't take long before Daughter heads right back to the place she was Swank may be the biggest name attached to the project her performance here is fine, but the story is fully carried by Rugaard, who brings a nuanced, emotional vitality to her role. Byrne's vocal performance as Mother delivers a welcome feminine flair to the film's lead robot body, her subdued acting bringing a caring, yet ominous feel that permeates the whole thing, giving us major HAL 9000 the end, Daughter chooses the bunker over the world outside. Mother allows her to destroy her robot body, giving the young girl a moment of empowerment. But that beat is quickly replaced with the realization that she's the mother now - and it is her responsibility to look over the thousands of embryos, waiting in stasis, to be born. Does she follow the path she'd been groomed for since birth? That's all left up to interpretation. As the movie ends on the girl's face, she looks in on Earth's future human population. This ambiguous ending may leave many with a bad taste in their mouths, taking this final story twist as an anti-abortion message of sorts. But, when taking a step back, it feels as if I Am Mother is, like many science fiction films before it, warning us of the dangers that come with our growing dependence on technology, while assuring us of human nature's enduring drive to survive - and up here for our daily Thrillist email, get Streamail for more entertainment, and subscribe here for our YouTube channel to get your fix of the best in food/drink/ Pruner is a contributor to Thrillist. E0EndJC.